There are very few Scenic jobs in my little corner of Colorado but sometimes things come full circle.
Dick Carter is a fabulous artist, art director and (may I be so bold to say) friend. He's a long time denizen of the Roaring Fork Valley who does what a lot of us do- call this home and hop to LA or NYC to keep that career thing breathing.
I got a call from him in April about TACAW. "The Arts Campus at Willits" was opening a space called "The Temporary" as a transitional performance space while the Arts Campus is under... well... let's call it governmental "review". The bottom line being- for pities sake lets just get something up, running and on the boards.
Dick wanted to take the retail rental space and turn it into a place with some history. You know- where you'd go to imbibe some Fringe theatre- listen to some jazz or a Mozart string quartet. Transform the hot tub showroom into a place with soul. He gave me photos of distressed plaster walls
I immediately got a stupid grin on my face and said "Ushuaia!" My trip to Argentina just found a place to land and there is nothing which says old plaster wall like the walls in Ushuaia.
Thank you Joyce Kubalak for developing the fantastic rust technique we used on Man of La Mancha - use gray instead of orange and go for it.
5000 square feet of distressed plaster wall in 5 days with 3 Scenics and a short list of supplies
Day 1. Mix the paint and set up the work space.
Day 2 first full day on site. The base color a deep base gloss has already been rolled on by the Paint Contractor (thank you Monty) which leaves Allan Trumpler, Pat Dailey and me to start laying on the first "plaster" breakup. This is all about avoiding repeat patterns and playing matte against gloss. The initial layin is fairly quick it's the fine tuning which takes time.
Skip to Day 5: Really everything else is more of the same- warm up the "wainscot" lay in some water staining- drips- darker at the top - age spray at the bottom- add some vintage rust to all the new electrical conduit and the fuse box.
Dick Carter is a fabulous artist, art director and (may I be so bold to say) friend. He's a long time denizen of the Roaring Fork Valley who does what a lot of us do- call this home and hop to LA or NYC to keep that career thing breathing.
I got a call from him in April about TACAW. "The Arts Campus at Willits" was opening a space called "The Temporary" as a transitional performance space while the Arts Campus is under... well... let's call it governmental "review". The bottom line being- for pities sake lets just get something up, running and on the boards.
Dick wanted to take the retail rental space and turn it into a place with some history. You know- where you'd go to imbibe some Fringe theatre- listen to some jazz or a Mozart string quartet. Transform the hot tub showroom into a place with soul. He gave me photos of distressed plaster walls
and chandeliers hanging in empty rooms.
I immediately got a stupid grin on my face and said "Ushuaia!" My trip to Argentina just found a place to land and there is nothing which says old plaster wall like the walls in Ushuaia.
Thank you Joyce Kubalak for developing the fantastic rust technique we used on Man of La Mancha - use gray instead of orange and go for it.
.... a few samples later.....
5000 square feet of distressed plaster wall in 5 days with 3 Scenics and a short list of supplies
Day 1. Mix the paint and set up the work space.
Day 2 first full day on site. The base color a deep base gloss has already been rolled on by the Paint Contractor (thank you Monty) which leaves Allan Trumpler, Pat Dailey and me to start laying on the first "plaster" breakup. This is all about avoiding repeat patterns and playing matte against gloss. The initial layin is fairly quick it's the fine tuning which takes time.
Skip to Day 5: Really everything else is more of the same- warm up the "wainscot" lay in some water staining- drips- darker at the top - age spray at the bottom- add some vintage rust to all the new electrical conduit and the fuse box.
